Sri Aurobindo
Letters of Sri Aurobindo
CWSA 27
Fragment ID: 7486
Reading and Sadhana [3]
A “literary man” is one who loves literature and literary activity for their own separate sake. A Yogi who writes is not a literary man for he writes only what the inner Will and Word wants him to express. He is a channel and an instrument of something greater than his own literary personality.
Of course the literary man and the intellectual love reading – books are their mind’s food. But writing is another matter. There are plenty of people who never write a word in the literary way, but are enormous readers. One reads for ideas, for knowledge, for the stimulation of the mind by all that the world has thought or is thinking.
Poetry, even perhaps all perfect expression of whatever kind, comes by inspiration; reading helps only to acquire for the outer instrument the full possession of a language or to get the technique of literary expression. Afterwards one develops one’s own use of the language, one’s own style, one’s own technique. Reading and painstaking labour are very good for the literary man, but even for him they are not the cause of his good writing, only an aid to it. The cause is within himself.
If one lives in the inner consciousness, if the inner mind or higher mind become dynamic, all the ideas in the world and all sorts of knowledge come crowding in from within or from above; there is little or no need of outside food any longer. At most reading can be then an utility for keeping oneself informed of what is happening in the world – but not as food or one’s own seeing of the world and Truth and things. One becomes an independent Mind in communion with the cosmic Thinker. It is a decade or two that I have stopped all but the most casual reading. Poetry too need no longer depend on any outer stimulus; the power of poetical and perfect expression can of itself increase tenfold; what was written with some difficulty, often great difficulty, comes with ease. There is a heightening of the consciousness and the greater inspiration that comes from the heightening.
11 September 1934