Sri Aurobindo
Letters on Poetry and Art
SABCL - Volume 27
Part 1. Poetry and its Creation
Section 2. The Poetry of the Spirit
Psychic, Mystic and Spiritual Poetry
The Aim of the Mystic Poet
There are truths and there are transcriptions of 
truths; the transcriptions may be accurate or may be free and imaginative. The 
truth behind a poetic creation is there on some plane or other, supraphysical 
generally — and from there the suggestion of the image too originally comes; 
even the whole transcription itself can be contributed from there, but 
ordinarily it is the mind’s faculty of imagination which gives it form and body. 
Poetic imagination is very usually satisfied with beauty of idea and image only 
and the aesthetic pleasure of it, but there is something behind it which 
supplies the Truth in its images, and to get the transcription also direct from 
that something or somewhere behind should be the aim of mystic or spiritual 
poetry. When Shelley made the spirits of Nature speak, he was using his 
imagination, but there was something behind in him which felt and knew and 
believed in the truth of the thing he was expressing — 

 he 
felt that there were forms more real than living man behind the veil. But his 
method of presentation was intellectual and imaginative, so one misses the full 
life in these impalpable figures. To get a more intimate and spiritually 
concrete presentation should be the aim of the mystic poet.
he 
felt that there were forms more real than living man behind the veil. But his 
method of presentation was intellectual and imaginative, so one misses the full 
life in these impalpable figures. To get a more intimate and spiritually 
concrete presentation should be the aim of the mystic poet.
16 November 1933